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The building was magnificently planned and executed, and is designed to integrate fully with the existing Hospice building (the restored Miller Homestead), the Fairmount Health Park next door, and the surrounding neighborhood and assisted living communities nearby.
The building's exterior, looking from the main entrance, is reminiscent of other buildings designed by architects from local firm Blythe Design. Looking from the front hardly does the site justice, however, as the facility is exquisitely integrated into its' surroundings, and possesses noteworthy interior design features as well.
The building joins several in the Grand Valley to incorporate many design features directly attributable to Frank Lloyd Wright. Others include the Immaculate Heart of Mary Church, Credit Union of Colorado on Main Street, and the St. Joseph Rectory on White Avenue, all pictured below.
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In contrast to the above buildings,
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The Wright-themed interior design continues with the lovely stained glass windows that adorn the main lobby. These windows appear to incorporate several examples of Wright's prolific work in stained glass during the late 19th and early 20th century, which was second only in output and popularity to that of Louis Comfort Tiffany.
Similar patterns also appear as wall treatments, inlaid into the hardwood flooring in many parts of the building, as well as in the tile work of the patient bathrooms.
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The patient rooms show thoughtfulness not only in design esthetics, but in functionality as well. The larger rooms have a sofa bed and recliner, and the french doors to the balcony are large enough to accommodate the patient's bed if desired.
Many light fixtures and lamps are all Wright-influenced, if not reproductions of his designs.
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The Reflection Room, which serves double duty as a meditation room and small chapel, is one of many rooms in the facility furnished with pieces of the Mission or Arts and Crafts styles.
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I spoke with Christy Whitney, Hospice President and CEO, and asked her where the emphasis on Wright came from as a motif for many Hospice operations. The Heirlooms For Hospice store in downtown Grand Junction displays at least two full-size Wright stained glass reproductions, and Hospice makes wide use of the Eaglefeather typeface adapted from a 1922 Wright design.
Ms. Whitney stated that the affinity for Wright is hers. She grew up in a suburb of Chicago, home to the largest concentration of Wright buildings in the world. Ms. Whitney added that Wright's design ideas for his single family residences seem to adapt well to the group care setting. After witnessing the execution of that opinion in the form of this newest addition to the Grand Valley's continuum of end-of-life care, I'm inclined to agree.
Still, I feel compelled to be cautious about the future. Hospice has positioned itself well in generating revenue through conventional means, including philanthropy, and also through more creative ventures such as the Heirlooms stores, a coffee shop, and now the restaurant.
The potential for Hospice is great, but is dependent upon far more than the edification of their mission through this beautiful new facility. Effective management strategies to optimize operating processes and recruit, train, and retain dedicated and compassionate personnel are a constant challenge with any organization, but more so with non-profits.
If anyone needs a reminder of what the other side of the coin looks like, you need look no further than the experience of Colorado West Mental Health since they moved into a new facility. It's a lesson that others in the Grand Valley seeking to expand their physical infrastructure may want to remain mindful of.
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Lining this sidewalk are numerous bricks with tributes to patients and friends of Hospice, including someone who I think would have been very comfortable here in her last days.
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Get over when you can to see what's happening. Count
your blessings, and enjoy the rest of your week.
Photo Credits: about.com (Robie House Interior)
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